Thursday, March 24, 2016

Chapter 6: Kanifay Traditional Village

     Over the next few days, Tony went on several more dives and earned his C-card for open-sea diving.   Having earned his C-card, he studied and took practical lessons for higher levels of diving skills.
     That Saturday, he decided to stay on land and relax.  Early that morning, he joined a tour group headed for Kanifay Island Traditional Village.  The shuttle bus picked up the tourists in front of the Chamorro Bay Resort and drove them to a parking lot at the western side of the island.  At that point, a guide wearing a traditional grass skirt met them and led them to a stone path that had been built hundreds of years earlier.
     Everywhere the tourists looked on both sides of the path, they saw beautiful trees, flowers, and other plants.  From time to time, the guide stopped to show the tourists a plant and tell them something about it.  Some plants were useful for natural medicines, others were used to make clothing or pretty things to wear, or to build things.  One flower, shaped like a flower vase, was called a pitcher plant.  The pitcher pant trapped and ate insects.
     After a half hour along the stone path, they came to the village.  Kanifay Island Traditional Village was not an actual village where people lived.  It was built to show how people lived before the Japanese had taken over the island in 1914.  All the natives in the village wore traditional clothing and did things the traditional way.
     Tony did, however, see some things that weren’t traditional.  Some of the natives wore wristwatches.  Some of the women wore small earrings, other items of jewelry, and Western-style makeup.  There were a few other non-traditional items that you’d notice only if you were looking for them.
     The pathways were set a little lower than the rest of the land in the village.  Tony figured that this was probably to control flooding.  When it rained, water would run along the pathways without coming near the buildings.
     Running along one side of the village was an area called a stone money bank.  Tony counted nineteen stone money “coins” placed side-by-side and facing the village.  Some were only knee high; a few so tall that a full-grown man had to stand on tiptoes to touch the tops of them.
     The stone money bank area was also the stick dance performance area.  The performance area was about half as long, and a little less than one fourth as wide, as a football field.
     Women and girls as young as five, wearing colorful skirts, walked to a traditional building and asked for palm tree leaves or island flowers or other items for making things.  They took the leaves and other items to a stone-covered area, sat in a row, and started making things from the palm leaves. 
     Some made the kind of baskets that both the men and the women of Kanifay Island carry as handbags.  Others used smaller leaves to make balls the size of your hand.  These balls were useful for juggling, decorations, or just playing.  Still others made strings of island flowers for people to wear on their heads or around their necks.
     Tony recognized one of the native girls as someone he had seen asking for the actor Dash Tobey’s autograph.  Tony remembered her because her smile was bright enough to light up a room.  He said, “You were asking Dash Tobey for his autograph about a week or two ago, weren’t you?”
     She looked up from the ball she was making and excitedly smiled, “Yes, you saw me there!  I believe I remember seeing you.  Dash Tobey wrote a really sweet note on my autograph.  It’s nice to know that he’s just as nice in real life as he is in the movies.” 
     “I think he is,” said Tony.  “Did you know that he has a working cattle ranch in Wyoming?”
     “No, I didn’t know that!”  She usually spoke with exclamation points.  Continuing to make the ball, she added, “I’ve always pictured him as living by the sea.”
     “People in that part of Wyoming usually don’t like for rich outsiders to buy up their land and change their traditional ways of life; but Dash Tobey did everything he could to fit in.  After buying the ranch, he kept it as a working ranch; and he lives just the way his neighbors do.”
     “Hey, I really like that!  I think I know how those Wyoming neighbors of his feel.  A lot of outsiders say that we—the people of Kanifay Island—should change our traditional ways and become more like people in the West.  We do accept some Western ways, but we also like our traditions.  We like being able to do things for ourselves instead of having to buy everything from stores.  And we like being able to help our neighbors instead of having them ask the government to take care of them.”
     “And you’re not the ones who are polluting the earth,” Tony said, repeating words that Kanifay natives have sometimes said.
     “Oh, you’ve heard that,” she said softly.  She grew excited again and said, “Does Dash Tobey ride horses and herd cattle and all that?”
     “Well, cowboys have had to accept certain modern ways, even as they hold on to their traditions.  Dash rides a horse, but he also uses a helicopter.  Sometimes he uses the helicopter to look for people who are lost in the mountains.  A few times, he even found people and brought them to safety.”
     “So, he’s an action hero in real life!  I’m not surprised to hear that.”  Actually, she seemed very surprised to hear that, because she said it with an exclamation point.
     Tony turned the conversation to something else that had been on his mind.  He held out his hand and said, “I’m Tony McCalla.”
     “Cindy Pialug,” she said shaking his hand.  “I’m pleased to meet you.”
     “Cindy, I’ll be here a few more weeks, and I’d like to fit in.  Do you know of a local person who might rent me a room for a few weeks—a homestay?”
     “Yes, I have a neighbor who does that.  I’ll ask him if you like.  Could I give you a call?”
     Tony pulled an O’Malley’s Inn brochure from his pocket and handed it to her.  Cindy reached into her traditional, handmade palm leaf handbag and pulled out a somewhat less traditional smart phone.  She quickly keyed in the resort’s telephone number, pressed the save button, and returned the smart phone to her handbag.  “I’ll call you when I find out something,” she said.  “Excuse me.  I have to get ready for the stick dance.”  She handed him one of the leaf balls she had made.  “This is for you,” she smiled brightly.
     A few minutes later, a man lead a group of more than thirty men, women, boys, and girls along the money bank path into the dance area.  They were lined up two-by-two, each holding bamboo sticks.  After the leader, a pair of girls around seven years old followed.  From youngest to oldest, the dancers entered the dance area.
     Once they were all in the dance area, two rows of dancers faced each other.  An elderly native woman named Agnes sat on a raised spot and began calling out the chant that she would continue calling for all three sets of dances that would follow.  The dancers bent their knees, ready to dance.  Then each dancer touched his or her bamboo stick against the stick of the dancer in front of him, looking as though they were stick fighting.

     As the women hit their sticks together, they shook their hips.  As the men hit theirs together, they jumped into the air.  The dance was both graceful and exciting as the dancers moved around in the dance area.  Several times, the dancers at each end of the dance area turned and danced toward the opposite end, hitting their bamboo sticks together as they did so.  With each set of movements like these, the dancers kept changing their places in the dance area.
     The second dance set was a little more exciting than the first.  The third and last was the most exciting of all.  By then, several of the dancers were shouting and making excited noises.  Cindy was the loudest, most excited, and most active of all the dancers—even more than the men.  Some of her shouting reminded Tony of the way movie cowboys shouted during exciting scenes in movies.
     At the end of the dance, the dancers chanted as they were led from the dance area.  All the dancers, especially Cindy, were covered with sweat because stick dancing could be tiring.
     A few minutes later, Cindy hurriedly walked over to Tony and said, “I have to go change.  “I’ll call you tomorrow after lunch.”

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